Resurrection Piece II, 2019, 5'6"x4", glass broken once cold then hot and then cold again, metal, wood, borosilicate, paint. Installed at Queens Gallery, LA, CA ( metal work by Charles Mathis)
Resurrection Piece II, 2019, 5'6"x4", glass broken once cold then hot and then cold again, metal, wood, borosilicate, paint. Installed at Queens Gallery, LA, CA ( metal work by Charles Mathis)
Negative Mirror Piece I, 2018, approx 26"x18", slumped mirror, paint and hardware. Made with help from Nicole Stahl.
Political Rag Piece (lamp), 2019,borosilicate, glass blown using newspapers from across the political spectrums as hot shop "rags", newspaper, paint, metal, 48"x24"x3" (metal work by Charles Mathis, cold work by Ethan Stern)
Political Rag Piece installed in "Int'l Boutique for Middle Aged Ladies" at Goldfinch, Chicago, Il ( curated by Mari Eastman).Photography by Ryan Edmund for Goldfinch.
Glass Vibraphone II, 2019, glass, metal, mallets, 34"x24"x20" (metalwork by Charles Mathis, coldwork by Ethan Stern) installed in "Int'l Boutique for Middle Aged Ladies" at Goldfinch Gallery, Chicago, Il ( curated by Mari Eastman). Photography by Ryan Edmund for Goldfinch.
Dan Graham Middle Finger Pavilion, 2019, glass paint book, 15", Pilchuck Seattle, "Undeniable Love" (curated by Elias Hansen)
Elizabeth Bishop Piece II, 2017, sandcast glass from Bishop books, plastic, wood, 2'x1'
Resurrection Piece I, 2018, 3x reblown Tiffany's ashtray, boro and electrical fixture, 3'x5'x3"
Resurrection Piece installation at Sandy Gallery, 2018, with Ian Trout's work https://sites.google.com/site/iantroutart/paintings
Glassy Bodies Project with Rennie Tang http://www.rennietang.com
Glassy Bodies project with Rennie Tang